Showing posts with label medieval historical romance. Show all posts
Showing posts with label medieval historical romance. Show all posts

Monday, 22 March 2021

The Snow Bride. Medieval Historical Romance set in Northern Britain. New excerpts!


She is Beauty, but is he the Beast?

THE SNOW BRIDE (THE KNIGHT AND THE WITCH 1) https://amzn.to/2MZZan0    

UK  https://amzn.to/2H1tYzY

EXCERPT https://bit.ly/2yV95Cb

REVIEW https://bit.ly/38ynFzh

 

Excerpt England, winter, 1131

 

Magnus forced his aching legs to move and dismounted stiffly from his horse. The still, freezing cold made his teeth ache, and as he tethered his mount, he wondered yet again what he was doing here. It was less than a month to Christmas, and he could have been with Peter and Alice at Castle Pleasant, preparing for feasting and singing and watching his godchildren.

And then a deep, abiding ache, bedding down in the great hall alone. He would never force a woman to lie with him—he had seen too much of that in the crusades.

He limped forward through the pristine snow. Peter had his Alice now, a clever, black-haired wench who feared nothing and no one, including him. Had his friend and fellow crusader not known her first, he might have had a chance with Alice. She saw through the outer armor and shell of a man to what lay beneath.

But she loves her crusader knight, Peter of the Mount, and I have no chance or right there.

As the palfrey snorted and jangled its harness behind him, he knelt in a white heap of pitted frost and reached out with his good arm to brush snow off the small, cracked statue of a saint. This was an old, wayside shrine on a track to nowhere of note, and the wooden figure huddled in its stone niche was old, its paint peeling. This battered saint would understand him, one ugly brute to another.

“Holy one, grant me my prayer.”

He stopped, aware of the chill silence around him—the bare trees, the white landscape, the empty road. He had nothing to offer the saint, no flower or trinket to sweeten his request.

As his knees began to smart, then burn, then freeze on the unyielding, icy ground, Magnus tried to marshal his thoughts. What did he want?


She is Beauty, but is he the Beast?

THE SNOW BRIDE (THE KNIGHT AND THE WITCH 1) https://amzn.to/2MZZan0    

UK  https://amzn.to/2H1tYzY

EXCERPT https://bit.ly/2yV95Cb

REVIEW https://bit.ly/38ynFzh

 

Excerpt 2

 

A woman of my own. Someone to return to.

Alice cared and had urged him most ardently to stay with her and Peter, but pride had made him refuse them both with a smile. He did not begrudge the handsome couple their joy, not after their many trials. But the dark of winter and Christmas especially brought his own desolation home to him most keenly, sharper than an assassin’s blade. He was nine and twenty, a grizzled warrior, battle-scarred and wounded.

Feeling sorry for yourself, Magnus? Brace up, man! Be a Viking, as your granddad was. You have your wits and your balls, all working. The lasses in the stews make no complaint and do not charge so much. You have land, a strong house, good fellowship, and two hearty godchildren.

“Splendor in Christendom, let me have my own family! A lass who loves me!”

His voice rang out, startling a lone magpie into taking flight from a solitary elm in a blur of wings, but the drab and well-worn saint gave no sign of hearing. Peering into the calm, carved face, Magnus wondered if the saint was smiling, and then he spotted his own reflection, clear in a frozen mirror of ice by the shrine.

He scowled, knowing very well what he looked like, and spat to the left for luck. With his knees creaking, he staggered to his feet and remounted his eager horse. When he passed this way again he would leave gold, he vowed, but for now he wished only to slink away. He needed to find the village before nightfall and speak to the council of old men—it was always old men—who had sent word to his manor of Norton Mayfield, begging for help, any help, to track and to defeat a monster.

 


Lindsay Townsend

Wednesday, 11 February 2015

'Sebastian the Alchemist and His Captive' on Amazon & Other sellers

Sebastian the Alchemist and His Captive

Medieval Captives 1

Linday Townsend

OUT NOW FROM AMAZON AND OTHER SELLERS

AMAZON COM 

AMAZON UK

BARNES & NOBLE 

KOBO

APPLE



He takes her for hate. Will he keep her for love?

Sebastian, lord of the tower in the northern high lands, is a proud, bitter man with a dark past. An alchemist and a warrior, he has had lovers but knows he is ugly—experience and betrayal have taught him that. When Melissa, the beautiful, neglected daughter of two old enemies, falls into his possessive hands he is determined to hold her. Why?


As one of the detested and defeated Felix family, Melissa must cling to her courage when she is claimed as a war-prize by the tall, grim Sebastian. Expecting torture and ravishment, she finds instead a peace and sanctuary that she has never known. Treated with kindness for the first time in her life, Melissa begins to blossom.


But there are secrets and old betrayals between them. Sebastian’s abiding jealousy is not easily quelled, especially when someone at the tower seeks to destroy his growing love with Melissa…


A BookStrand Mainstream Romance.


STORY EXCERPT:

Sebastian settled back in his chair. He still had many petitions to read and tomorrow he would fight a duel, with mace and daggers, but for the rest of the evening…Yes, he could grant himself the time, the indulgence. Ignoring the dull ache in his lower back, he stretched his long arms above his head.


“Robert.” He spoke quietly to the gangling chestnut-headed squire patrolling by the door. “Send the girl to me. Then get some rest before you fall over.” The youth had only lately recovered from a fever and even in the firelight looked as pale as the falling snow outside.


“I will sleep when you do, my lord.” Robert gave a brief, jerky bow and slipped from the stone chamber, his rapid footsteps fading in the vastness of the tower. Sebastian returned to his reading, making notes on the parchment, listening to the spit of the flames, and waiting. What will she be like? He had only caught a glimpse yesterday, when he had claimed her as his prize. The child of an old enemy and my first, unrequited love. What have her people told her about me?


The door swung open, slowly at first and then in a rush, as if whoever was entering was determined not to be cowed. Headstrong, just like her mother. Amused, Sebastian rested the tip of his writing quill on the tabletop to watch an energetic, vivid figure hasten into the chamber.


“Idonotcarewhatyoudotome, butdonothurtmypeople…”


Sebastian raised the quill and the spate of words instantly stopped. “Closer,” he commanded, when the creature remained still, glancing behind her at the closing door. “Look at me, girl.”


She took a step forward this time, halting exactly in the shadows cast between the torches and firelight so that her face and form remained hidden. Arrogant and stubborn, just like her father. A whip of irritation cracked down his spine.


“Artos, guard,” he ordered the black wolf he had saved as a cub from a hunter’s trap. Artos yawned, stretched himself up from the rug by the fire, and trotted to the threshold. With widening eyes the girl studied the wolf as it began a steady pacing back and forth before the entrance.


“He is not my familiar, if that is what you are thinking.”


“Your shadow, then.” The girl swung round to face him. Her voice was low, cracking a little from nerves or disuse. “He is handsome.”Unlike you. The unspoken words filled the chamber like the apple-wood smoke.


Sebastian pushed back his chair and strode toward his captive, circling his prize as she stood stiffly at attention, her head held perfectly straight, her hands clenched by her sides, half-hidden in her once gaudy, now tattered, green and gold robes. In the shifting alliances of these lush and rugged highlands her kindred had backed the wrong overlord and lost. In the scramble afterward between the northern princelings for booty and lands, Sebastian had been able to take the girl, claim her by right of revenge. Revenge. What a monster she must think me, this dainty youngster, to make her pay for ancient hurts her father wreaked on me, for the old betrayals of her mother. Does she even know that pitiful tale?


He circled her again, sensing her quiver as he loomed. She was a brunette, but there all similarity between them ended. Where he was tall and lean and intense, large-jointed and craggy, precise from years of deliberate, often hard-won control, this tiny girl shimmered like a flame. Where his hair was black, dull and fine as silk, hanging straight to his broad shoulders, hers was the color of brimstone and treacle, long, heavy ropes of shining curling waves, sunset brown shot through with chestnut. Her father’s coloring, and wasn’t Baldwin always aware of his good looks? As for her mother in her—Sebastian halted before the girl and, with a long finger, tipped up her chin, glimpsing a pair of bright brown eyes in a freckled, delicate face. The child shifted, lowering her head in a gesture of apparent submission. The shape of her eyes are the same as Rosemond’s, but not the color. Her mother had blue eyes and gold hair and smiled like a Madonna, all the better to beguile men.


“Like but not like,” Sebastian murmured, releasing his grip and continuing his prowl. The girl was easily a head shorter than himself, small and thin, where Rosemond had been tall and stately. “How old are you?”


“Eighteen.” The bright eyes fixed on his and a spark of heat tingled from his chest to his groin in response. He saw her blush and wondered if she had also sensed the spark. “Eighteen, Sir Sebastian.”


He scowled at her address, disliking the arrogant assumption behind it that only knights had value. Just like her father. “I am no knight, girl, remember that,” he barked. She trembled and he could not decide if that was due to fear or revulsion. Watching the pretty glow drop from her face like a fallen ribbon, he decided it was both.


Irritated and a little ashamed with his behavior, he closed his eyes, desperately trying to entomb his own past within himself. “Who would care for such a lanky thing as you?” His mother had first told him that. “Sallow, dark, possessive,” a previous lover or two had complained, before each one had parted with him due to his jealousy. “An ugly, crook-nosed brute...” Sebastian remembered that description only too clearly, the taunts “ugly” and “crook-nose” following him throughout his service as a page, then squire, before he had turned his back on the cruel, glittering world of chivalry. And who had first called him ugly and crook-nosed? Baldwin of course, this girl’s father, jibing and taunting, bullying and tormenting, setting on him with his friends and cronies, four, five, six against one. Sebastian had stomached that but then worse followed—he had heard Rosemond agreeing with Baldwin, the pair laughing together, laughing at him. After all I did for her and tried to do for her, after I helped her, after I told her I loved her.


Strange after all these years that it should still ache so much, as if an anvil had been hurled into his chest. Fighting the despair, Sebastian growled like Artos and shook his head to clear it. Here he was, aged three and thirty, still re-fighting old battles, old hurts. I am pathetic.


He opened his eyes, relaxing his grip on the quill before he shattered it.

Wednesday, 18 June 2014

Guest blog: Elise Cyr - Writing Medieval Romance: A Debut Author’s Perspective

I didn’t realize just how much I didn’t know when I first started writing my medieval romance Siege of the Heart. I came at it in a roundabout way: the origins of the book were distinctly fantasy but I found the worldbuilding too overwhelming. Better to fit my story events into a historical time period—a readymade framework to build my book around.

My heroine Isabel was no damsel in distress, my hero definitely a knight, and I wanted a period in history full of drama and upheaval. I settled on the Norman Conquest of England.

I found researching the time period particularly difficult because of its transitional nature. I focused my efforts on the late Anglo-Saxons and the post-Conquest era, and often had to make inferences on what happened in between. To compound things, since history is often rewritten by the victor, it was sometimes difficult to take the accounts of the Norman Conquest at face value. I’m a history enthusiast, not a trained historian, so I often found myself swamped by facts, but unable to find the ones I needed to serve the story.

In some cases, I just needed to do some more digging. But in others, I came to realize the information I was looking for simply didn’t exist. At first, those gaps in my research scared me. How could I write about something I did not definitively “know”? But at some point along the way, I stopped seeing the gaps as obstacles and started seeing them as opportunities to make my story as uniquely mine as possible.

That’s why I’ve come to love the medieval time period so much. Despite the difficulty in researching this part of history—with so much of the historical record lost to the passage of time or skewed to certain subsets of society—writers have a lot of latitude in bringing their stories to life by navigating that line between historical fact and fiction. At the Romantic Times convention this year, author Sarah Zettel said (paraphrasing) it’s the constraints that make writing fun. She was talking about the science in science fiction, but the history in historical romance works the same way. 

Writing Siege of the Heart, I learned a tremendous amount, about the time period and about myself. I hope everyone enjoys the manner in which I was able to bring the historical setting and my characters to life.

About Siege of the Heart:

He fought for king and country, but that battle was nothing compared to the one he’ll wage for a woman’s heart.

Still reeling from the news of her father’s death during the Norman Conquest, Isabel Dumont is unprepared when trouble arrives at the castle gates. Alexandre d’Évreux, a Norman knight with close ties to England’s new king, has arrived to secure the land and the loyalties of the Dumont family. Desperate to protect her people, Isabel strives to keep the confounding knight at arm’s length and hide the truth about her father’s death.

For Alexandre, the spoils of war come with more than just a generous gift of land. They come with Isabel Dumont. Vowing to marry only for love, Alexandre finds himself in a difficult situation as a conqueror granted dominion over the land and its people. Isabel is the one person capable of helping him win the regard of those living in the war-torn country…if he chooses to accept her.

Just when Alexandre finds a spark of hope that he and Isabel have a chance at love, she vanishes. His quest to find her plunges him deeper into the conquest’s fallout. Was she taken? Or did she leave?

CONTENT WARNING: Entering into this novel may cause extreme affection toward knights of old, admiration for strong-willed women, and the overwhelming belief that love really can conquer all.
EXCERPT:

December 1066
Northern Gloucestershire, England



At least she now knew the truth.
It was little comfort though, as Isabel Dumont watched the messenger ride out of the bailey. She let out a breath, a feathery cloud on the cold air. The messenger had declined her offer of hospitality, and she did not ask him to reconsider. Instead, she had seen to it his horse was watered and had pressed a gold piece into his palm to ensure his silence.
Snow had threatened all morning. Now it fell around her in fat flakes, but she did not move. She did not think she could. Her limbs felt heavy, almost waterlogged. Like the time Julien had knocked her headfirst into the river in a moment’s foolishness. And then pulled her back to shore.
That had been ages ago. Her brother’s message now had the same effect, leaving her winded and frozen in place.
Captain Thomas, who handled the training of Father’s men-at-arms, stamped his feet beside her. “My lady, if you wish it, I will make the announcement—”
“No!” The word ripped through her chest and rang in her ears. “No. You will say nothing. To anyone.”
His eyes widened. “But this cannot be kept secret.”
His disapproving tone cut through the numbness that suddenly filled her. She twisted away from him and looked out past the gates. The graying countryside swallowed all sign of the messenger. If only his words were as easy to erase.
“Your father—” Captain Thomas began.
She balled her hands into fists. “Do not say it,” she whispered.
Captain Thomas shook his head. “I must. Your father is not coming home. I know it was not the news you hoped for, but Julien’s message…”
He lifted a hand toward her shoulder, and she gave him a sharp look. He stopped mid-motion, his fingers dangling awkwardly, before resting his hand on his belt. She turned on her heel.
Captain Thomas hastened after her. “Wait!”
She wrapped her woolen mantle more securely around herself. She would not discuss it further. She could not. Not when she could scarcely think.
“My lady, please—”
She slipped her hand to the hilt of her sword—one of her father’s cast-offs—and the brush of the leather-wrapped handle against her palm made it easier to rein in her breathing. “You said there were reports of the Welsh attacking tenant farms to the west?”
“Yes. I was going to have Kendrick and some of the other men scout the area, but—”
“Good. I will join them. Tell the men to make ready.”
Captain Thomas’s mouth tightened. For a moment she thought he would disobey her, but he slowly turned toward the castle to do as she bade. Lord Bernard Dumont, thane to the king, had fallen. Now it fell to her to ensure the safety of the Dumont lands. Captain Thomas, of all people, should know what that meant.

About Elise Cyr:

Elise has always loved adventure, romance, and happy endings. She writes primarily in the medieval period. Because there’s still so much we don’t know about that time in history, the writer’s imagination is essential for fleshing out the research and making it come to life on the page. Plus swords and castles are just plain fun.


She lives in New Mexico with her husband and the sweetest dog ever. When she’s not writing, she hikes, bikes, cooks, and (of course) reads. Siege of the Heart is her debut medieval romance. You can follow her on Twitter, Pinterest, Goodreads, or check out  her blog.

Wednesday, 1 May 2013

A Medieval Female Exorcist - Dark Maiden by Lindsay Townsend

Yolande, the heroine of my latest medieval historical romance novel, 'Dark Maiden' is an exorcist. Her father, who was born in Ethiopia (a country with very ancient Christian roots) was an exorcist. Her mother was born in York.

As is now being discovered, there were people of African descent living and working in Britain, especially in cities and ports like York. Archaeology discovered a Romano-British grave in York where a woman of black African and mixed race heritage had been buried in a rich tomb with grave goods. Archaeology also uncovered a tomb of a man of north African descent buried at a medieval friary in Suffolk, England, close to the port of Ipswich. According to bone specialists he had a bad back! The thirteenth century statue of Saint Maurice in Magdeburg cathedral in Germany clearly shows him as African.

Half-African, half-English, Yolande is the dark maiden of the title, a spiritual wanderer and warrior, helping those tormented by the restless dead and assisting the restless dead themselves to find final peace. She lives and works in England during the time of the Black Death.

Statue of St. Maurice at Magdeburg
I chose this time period quite carefully. Women during the Middle Ages could not be priests but during the period of the Black Death, when thousands died, including hundreds of priests, the church allowed women to take confessions from dying people. In early 1349 the bishop of Bath and Wells wrote to his priests to encourage all men to confess, before they were taken by the pestilence. He added that if they had no priest they should follow the teaching of the Apostles and confess to each other 'or, if no man is present, even to a woman'.  (From translation in Philip Zeigler, The Black Death, page 125).

Medieval people also believed that in a crisis anyone, priest or lay person, could perform an exorcism because every Christian has the power to command demons and drive them away in the name of Christ.  I took these ideas and developed them, allowing my Yolande to become an exorcist.

In 'Dark Maiden' I have Yolande and Geraint  (a travelling player who becomes her friend, help-mate, lover and finally husband) face several encounters with both restless spirits and also demons. My ideas have always been shaped by the real beliefs of the time. So in 'Dark Maiden' there are evil spirits, restless ghosts called revenants, an incubus and vampires - all paranormal creatures with a medieval slant.

I'll talk about these in other blog articles.

More details of 'Dark Maiden' here.
Can be pre-ordered from Ellora's Cave here.
Can be pre-ordered from Amazon US here and Amazon UK here.
Can be pre-ordered from Barnes and Noble here

Ellora's Cave (forthcoming, June 13 2013)

Read Chapter One


Lindsay Townsend 

Tuesday, 19 February 2013

Review Celebration and an Award - Lindsay Townsend

What perfect timing for Valentine's Day! On Feb 14th I heard from Ally and Donna at the review site Single Titles. CataNetwork reviewers have presented me with their prestigious 2012 Single Titles Reviewers’ Choice Award for The Amorous Chatelaine.

Emma de Barri is the generous chatelaine of a large estate, where she schools young, green knights in the matters of courtly dress and deportment. As a widow, she is often the object of desire but never has a knight tempted her away from the memory of her late husband.

Sir Robert is neither young nor green. He is hardened by battle and tempered by the vagaries of life. He is also rough and unrefined—completely lacking in manners, sophistication or any of the qualities Lady de Barri values. But his arms are strong, his face is handsome and his heart is as bright and gold as the sun at noon. A heart he gives unreservedly to Lady de Barri.

As Emma teaches Sir Robert how to read and dress, how to be gentle and composed, he teaches his sweet chatelaine how to live and love again.

Ellora's Cave 2012

Read Chapter One

Long and Short Reviews:

Ms Townsend drops her reader into the medieval world of Knights and Ladies and in short order reveals two characters with depths, charm and baggage they are both subconsciously using as shields against moving forward.

All it takes for Sir Robert is one look at the Lady bathing in the open air pool to fall head-over-heels in love, but never having felt the emotion before, it takes him a while to cotton on, and yet that is part of Ms Townsend's skill in presenting such a loveable hero. While he is gallant, strong, courteous and caring, he lacks social skills and presumes they will forever hold him back from finding true love. Indeed due to past events, he doesn’t ever expect a woman to look upon him with any favour. When challenged, he rises to protect the woman he’s given his heart to.

Widowed lady Emma never expects to give her heart to another and yet, and despite the number of knights she has schooled in social etiquette and expectations, it is the honourable and courageous Sir Robert, who lacks all those graces she normally holds dear, that captures her heart. She is wily, witty and charming and when she has a goal she goes after it.

The challenge when it comes is unexpected and takes a little readjustment, but only a little. The author skims over the details of the conflict and swiftly moves the reader on to how her hero and heroine overcome the considered obstacles in their path.

It is the way that the author unveils the insecurities of her characters, that adds depth and charm to the romance, and her scene-setting is delightful.

There are some sexually charged scenes in The Amorous Chatelaine, of which only one is mildly explicit. That said the author’s light touch, and ‘sweet’ technique, present a rough diamond of a hero in Sir Roger, and just the woman to polish up those sharp edge in widowed Lady Em, the Chatelaine.

For lovers of historical romance, this is a quick and uplifting story. Four and a half stars.


Single Titles:

Lindsay Townsend gives the reader a sweet love story about a woman who thinks her love life is over and the man who rekindles her passion. Emma lives happily with her warrior women, spending her time improving the lives of young knights. She does not realize that something is missing from her own life until she meets Sir Robert. He challenges her and makes her look forward to each new experience. When someone tries to take away everything she worked so hard to build, Sir Robert is at her side willing to fight for her. Is Sir Robert the man who will make Lady Emma live again? Five Stars.

Two Lips Reviews:

Emma De Barri, now widowed, is chatelaine of an estate.  She instructs young knights in manners and proper personal grooming and dress.  Always she keeps in her heart the loving memory of late husband and finds she cannot open her heart to another.  Sir Robert is a mature knight used to battle but without manners or courtly charm. He possesses no lands or treasures, only courage and a true heart that is devoted to Emma.  

Emma smoothes all of Robert's rough edges as he awakens her heart to the possibility of love. Yet, Robert has nothing to offer her; no lands, no legitimate name, nothing.  The queen has summoned Emma to the castle and both Emma and Robert know it is likely that the queen has decided upon a husband for Emma. What will the two ever do to save their burgeoning love?  

Ms. Lindsay Townsend creates a knight that every woman on the planet dreams about; he’s kind, selfless, intelligent and courageous. His careful treatment and blunt honesty will endear the reader to him.  

Women will also appreciate that The Amorous Chatelaine’s heroine is not to be trifled with. As chatelaine, she has her own power. She cares for her people and keeps the estate in good maintenance and productivity. These two characters will win the heart of any reader. Although there were a few POV issues, I was charmed by Ms. Townsend’s poetic language and beautiful scenery descriptions. The Amorous Chatelaine is a little story with a big heart.  4.5 Lips

Evolved World:

I enjoyed this sweet, even-paced medieval romance novella. As part of the Ellora’s Cave Blush imprint, there are some sexually charged scenes, but they are more sensual then sexual and are delicately expressed.

Within a very short space of time, this 60 page strong novella handily conveys a medieval romance. It does not overextend itself. Sir Robert, from the very beginning, is a complex and likable character, and his blond good looks don't hurt either. The beauteous Lady Emma, a bit of a mystery in the beginning, is gracious and generous to her people and to knights who, like Sir Robert, perhaps need a bit of tutoring in the knightly and chivalric arts.

Their romance is sweet, perhaps a bit coy at times, but is believable and charming. It is what I look for in a quick read when I have a hankering for a historical romance. Ms. Townsend clearly knows her medieval time well.   4 out of 5 Stars

Lindsay 
http://www.lindsaytownsend.net
http://www.twitter.com/lindsayromantic