Showing posts with label Torn. Show all posts
Showing posts with label Torn. Show all posts

Tuesday, 1 May 2012

Gilli Allan: 'Life Class'...and a promotion


Thank you very much for giving me the opportunity to announce the launch of my new book LIFE CLASS: http://www.amazon.com/dp/B007XWFURQ.

To celebrate, I am slashing the price of TORN:  http://www.amazon.co.uk/TORN-ebook/dp/B004UVR81Y to 77p (or 99c).

Hurry. It’s for a fortnight only!







LIFE CLASS
A story about art, life, love and learning lessons




The class meets once a week to draw the human figure. For four of its members, life hasn’t lived up to expectations. All have failed to achieve what they thought they wanted in life. They gradually come to realise that it’s not just the naked model they need to study and understand. Their stories are very different, but they all have secrets they hide from the world and from themselves. By uncovering and coming to terms with the past, maybe they can move on to a different and unimagined future.

Dory says she works in the sex trade, the clean-up end. She deals with the damage sex can cause. Her job has given her a jaundiced view of men, an attitude confirmed by the disintegration of her own relationship. The time seems right to pursue what she really wants in life, if she can work out what that is. Love doesn’t figure in her view of the future – she’s always been a clear eyed realist – yet she finds herself chasing a dream.

Stefan is a single-minded loner, whose sole and overriding ambition is to make a living from his sculpture. So how the hell did he find himself facing a class of adults who want their old teacher back? Although love is an emotion he long ago closed off - it only leads to regret and shame - it creeps up on him from more than one direction. Is it time to admit that letting others into his life is not defeat?

Fran - Dory’s older sister - is a wife and a stay-at-home mother without enough to keep her occupied. On a collision course with her mid-life crisis, Fran craves the romance and excitement of her youth. An on-line flirtation with an old boyfriend becomes scarily obsessive, putting everything she really loves at risk. 

Dominic - has lived his life knowing all about sex but nothing about love. If he can only find his mother perhaps he can make sense of his past. But perhaps it is a doomed quest and it’s time to look to the future? By accepting the help and love that’s on offer here and now, he has a chance to transform his life.


To coincide with the launch of Life Class, and for a fortnight only from MAY 1, I am discounting the price of TORN to an astounding 77p!

TORN
You can escape your past but can you ever escape yourself?

TORN is a contemporary story, which faces up to the complexities, messiness and absurdities in modern relationships.  Life is not a fairy tale; it can be confusing and difficult. Sex is not always awesome; it can be awkward and embarrassing, and it has consequences. You don't always fall for Mr Right, even if he falls for you. And realising you're in love is not always good news. It can make the future look daunting......
Jess has made a series of bad choices.  Job, relationships and life-style have all let her down. But by escaping the turmoil of her London life, she is putting her young child first. This time she wants to get it right, to devote herself to being a mother.  In the country she will find peace, simplicity and the good life, won’t she?

 But a beautiful environment does not guarantee a tranquil life.  There are stresses and strains here too - the landscape she looks out on is under threat, new friends have hidden agendas, two very different men pull her in opposing directions - and in the face of temptation old habits die hard. Despite her resolution to avoid entanglements, she is torn between the suitable man and the unsuitable boy.

TORN. http://www.amazon.co.uk/TORN-ebook/dp/B004UVR81Y
Special cut price offer, for a fortnight only.

twitter: @gilliallan


Friday, 3 February 2012

Gilli Allan: 'Torn'

“I love this novel! It’s warm and witty and sharp and clever and it made me think,” says Margaret James.

“I found it deeply moving,” says Katie Fforde.

“...emotional, sad, happy, funny and just generally fab! ”says Kim Nash. For Kim’s full, Five Star review go to:
http://kimthebookworm.blogspot.com/2011/11/review-torn-by-gilli-allan.html

“...A clever, thought-provoking read ... I hope Gilli will write more novels like this one,” says Lally. For Lally’s full, Five Star review go to: http://www.amazon.co.uk/gp/pdp/profile/AYMF754XCSYDW/ref=cm_cr_pr_pdp

“...TORN is anything but your standard romance with predictable conflicts and stereotypical characters. It's much much more, and a thoroughly enjoyable read,” says Sandra Nachlinger. For Sandy’s full, Five Star review go to:
http://www.amazon.co.uk/gp/pdp/profile/AJ7YSXO03UGMH/ref=cm_cr_pr_pdp

“.... couldn't put it down. Romance in the real world. Highly recommended,” says Adele Granby.

“...Has a modern take on romance and doesn't flinch from the downsides. Well written, poignant with a very surprising ending, but still a feel good factor ... a 'must buy',” says Sacha.

Find the full reviews at:

http://www.amazon.co.uk/product-reviews/B004UVR81Y/ref=dp_top_cm_cr_acr_txt?ie=UTF8&showViewpoints=1

**************************************

To buy go to:  http://www.amazon.co.uk/TORN-ebook/dp/B004UVR81Y


In TORN Jessica has escaped from her old life and moved to the country. All she wants, after the turbulence of the past, is to be a good mother to her young son, with no distractions and no temptations.

But things are never that simple. She soon finds that country living is not like the glossy magazines. Though the problems are different there are still problems. And the friends she makes and the issues she faces pull her in opposite directions.

If she could only get one aspect of her life right it would be a help, but her primary resolve - to avoid any kind of relationship with a man - is soon subverted. On her way to meet him for their first assignation she is racked with doubt about what she is about to do.

Excerpt ........

Veiled in frost and Old Man’s Beard, the trees and hedgerows which skirted the lane were grey overlaid on a backdrop of other greys – silver and charcoal, graphite and opal; the river beyond, and the gently rising landscape, dissolved into mist. The route was familiar enough; she had driven this way from Cherub’s nursery around the far side of Spine Hill many times before, but then she’d been heading into town – and she’d not been trembling. After delivering Rory she set off slowly, the speedometer barely reaching above twenty-five, and the nearer she got, the lower her speed dropped. She passed the driveway to the farm and shortly joined the eastern end of her own lane. She made the turn towards Warford then crossed Skirmish bridge.

Here, on the right, just a few feet of verge divided the boundary of Gore Farm from the road. In places the lichen-encrusted dry-stone wall had been repaired. Bright, implausible sections of newly laid stone interlinked with the old weathered wall in bleached blonde patches. Jess shook her head. Concentrate. Where was the signpost? Had she unquestioningly accepted Danny’s directions she should have been looking on the left but she knew it couldn’t be. At long last, when she spotted it, it might just as well have been a skeleton hanging on a gibbet.

She was bone cold and shivering as she made the right turn into the opening marked with the footpath finger-post. Her pulse raced, her thoughts whirled in a repeating loop: why am I doing this? The farm track seemed impossibly long. It became ever more overgrown. Elder and Blackthorn on either side scraped the car as it passed. The sharp, sudden whip crack, as a long frond of bramble slapped the windscreen, made her gasp. Her heart rattled against her ribs.

‘Oh God! Oh my God! This is the wrong way. I’m sure this is the wrong way! Perhaps the turning was on the left,’ she whispered to herself, even though it would have defied logic. ‘Where’s the pull in? I’m going to arrive at a dead end!’ But her worry was not about a lengthy stretch of reversing; a part of her did not want to find the discreet back way that led to Danny’s caravan at all. If the adventure had to be aborted she would feel relief from the acute sense of guilt that gripped her. The continuous chant from her conscience called her heartless and unnatural for abandoning her sick child. Yet Rory had seemed happy enough to be left; after several days incarcerated at home with only mother for company he’d become bored and grouchy. Rationally she knew that a few hours engaged in social activity was just what he needed to take his mind off his lingering snuffle and cough. But a part of her wanted to scrub this and go back for him. A part of her wanted to return home, unsullied.

Just as she despaired of finding the spot Danny had described, the track widened in front of a gate. After pulling in she just sat for a while, head bowed onto folded arms. Then she breathed in, squared her shoulders and opened the car door. Danny had said it would be safe to park here. It was obvious the track was hardly used except by the occasional walker or by Danny himself, going into town with his bike. The gate hadn’t been opened for years. An old chain and padlock, mahogany with rust, was wound round and about the gate and its post. Danny must heft his bike over the style – the only way into the field.

Though it felt as if she’d driven miles beyond the farm buildings she must have executed a loop. She was now only a few hundred yards above the caravan and beyond it the stone barns, which shielded the house from view. As she got closer she could hear the massed bleating of the pregnant ewes coming from the barn. A curtain twitched in the back window of the caravan, then suddenly he was there, pale and hesitant, standing by the tow bar end. They scarcely touched but he hustled her quickly up the front steps and inside, keeping himself between her and the farm buildings. A transistor radio was on. Danny turned off what sounded like Radio Four.

‘I was afraid you wouldn’t find me. I’m no good at directions.’

‘I found it easily.’ Why make the moment any more awkward by complaining he’d muddled left and right?

‘Is there anything you want Jess? Can I make you a cup of tea ... or?’

‘No nothing. This is madness Danny. What am I doing here?’ she blurted then was instantly mortified by his pained expression. He shrugged helplessly.

‘If you don’t know...?’

He looked as strained as she felt. Of course he was worried. He would have to be a man of blinding self-confidence not to feel a little concern about his performance, given the first mishap. Jess already knew he wasn’t that kind of man. He wasn’t a man at all, not yet, but he was brave – brave to have put himself on the line like this. Anxiety, guilt, responsibility all clamoured for ascendancy in her head. This was so unfair of her, to accept his invitation and then to blow hot and cold. And yet, and yet - she could not go through with something, believing it to be wrong, just to reprieve herself in his eyes. Could she?

‘I’m sorry, Danny. I feel about as sexy as a plate of cold, cabbage,’ she said, mournfully. Danny smiled and shrugged again.

‘It doesn’t matter. We can just sit and talk for a bit. I’d prob’ly be a let down on the sex side, anyway. You’ll not be missing much.’

This made her laugh. ‘Don’t be daft. I’m sure there are ways of getting round....’

‘My inexp’rience?’ He’d begun to seem more relaxed, more in command of the situation; almost as if, by admitting his lack of sexual prowess, he had defused the tension. Was he really only nineteen? He made her feel silly, tongue tied, inept.

Looking around she took in the dented walls, the dirty, cracked and broken linoleum which partially covered the floor. Yellow flowery curtains were drawn across the small windows diffusing the light and casting an amber gloom over the interior. At the kitchen end, a small Calor Gas cooker, its ceramic surface veined brown with age and baked on grease, was next to a little sink with a mucky looking draining board. A kettle and a few upturned mugs stood on the raw edged MDF work-top; below it, a curtain in dingy shades of brown and orange check, hung from a wire to the floor. A partial room divider separated the kitchenette from the living area. On one side a couple of metal-legged chairs with blue plastic seats shared the space with a small table, partly flapped down against the wall; its surface was marked by heat rings and old cigarette burns. Opposite, a multi-coloured cover, decorated with stars and moons and runic symbols, was draped over a narrow divan bed. Dangling from the ceiling above was a mobile hung with crystals and feathers. There were a few posters on the walls, in the ‘Save the Whale’, ‘Cherish Mother Earth’, and ‘Fur Looks Best on the Original Owner’ tradition. Even as she took in his sparse living arrangements Jessica was aware he was scrutinising her.

‘This van must be half a century old. Is it yours?’

‘No, the boss got it from somewhere for me to doss in. It’s all I need.’

‘Then you’re not very demanding.’ It was the lack of books, of magazines or newspapers that made the place seem so bare, she realised.

‘Even if I was living in a place as small as this I’d still want more around me in the way of possessions. Most of my stuff is still in store, but I had to have some personal stuff, books and so on, to move into the cottage with.’ There weren’t even any of the technological gizmos she might have expected to see in the room of a young man, except.... ‘Oh, is that your phone? You’ve found it?’ She stretched for the box, lying on a tilting shelf, by the divan. ‘Have you even opened it yet?’

Danny shrugged. ‘Pete knows I don’t like things like that. I don’t know why he gave it to me.’ From the growing assurance of earlier he seemed suddenly guarded. She tipped the phone out onto her palm then pressed a few of the keys. Apart from the name, Pete, and his number in the contacts list, it seemed unused; the memory empty.

‘Perhaps he wants to keep in touch?’

‘Doubt it.’ He stayed by the window, pulling back the curtain to look out.

‘When you said your brother had given you a mobile phone I assumed he’d passed on an old one,’ she said. ‘It’s a model I’ve been thinking of upgrading to. It’s got loads of extra apps. And he’s already set it up for you. It’s fully charged and you’ve loads of credit!’ she continued. ‘Wow! I’d like a brother like yours. I’ll put in my number and my email address. Look, that’s your number.’ Jess retrieved her own phone from her bag and entered Danny’s number into her contacts list, then entered her details into his. She fiddled a bit more and the phone went through its repertoire of call jingles. ‘Which one do you want? All you have to do is make sure you keep it charged up. And here’s the phone number to credit your account, when you need to. Look. The instructions are all here.’ She kept turning the phone in his direction, to show him the display, but he kept his back resolutely turned. ‘Aren’t you interested?’ she said at last. ‘Danny?’

He turned towards her then, but he was frowning. ‘Why are you so obsessed?’

‘I’m not. But if you started to use this ... kept it switched on ... we could keep in touch?’

He took the phone out of her hand and put it down without looking at it.

‘It’s not how I want to keep in touch. I prefer to see people face to face when I talk to them. I like to look in their eyes, see if they’re telling the truth.’

There were many practical objections she could make to this statement but, suddenly disconcerted by his level gaze, she sat down on the side of the divan. With a faint tinkle, the mobile hanging above her head, shimmied. Looking up she could see that it was a more intricate piece of work than she’d first thought; a lacy cat’s cradle of beads, feathers, a variety of different snail shells and crystals.

‘I love this. Where did you get it?’ She was thinking that Rory might like one over his bed – then that she would.

‘I made it. It’s a dream-catcher.’

‘You made it...! But it’s beautiful!’

He gave her a sideways look as if unsure of her underlying meaning.

‘I’m sorry, that came out wrong ... I mean it. It’s just ... a lovely thing.’

Almost haltingly, as if confused by her praise, Danny began to describe how he’d made it and the materials used.

‘And that bluey-green feather’s from a Jay, the gold one’s a Cock Pheasant, the white one with the speckles is from a Barn Owl.’

‘Danny?’ Jess ceased to look at the feathers he pointed out. She laid her palm against his cheek. ‘Ssshh.’ From then on their mouths were otherwise engaged. He might be young, he might be sexually inexperienced but in the kissing game he was a natural, Jess thought vaguely, before her brain switched to a mode where rational, sequential thought was replaced by instinct and need.

Monday, 18 April 2011

Gilli Allan: 'Torn'

Virtually all my life, on and off, I have written.  I started when I was ten, inspired by my fifteen year old sister, whose ambition was to write a Georgette Heyer style romance.  It was the one book she ever wrote, but I went on through my teenage years – though I never finished anything – compensating, through my romantic fantasies, for the love life I was not having.  Though I loved those Regency romances, my own writing was contemporary and dealt with a darker, seamier world than Heyer’s comedies of manners.  It was a world I knew nothing of, and I depended totally upon my imagination.
In my early adult life I stopped writing – writers were clever, educated people.  I’d left school at 17 with a handful of exam passes and gone on to art-college.  My career was in advertising, where I worked as an illustrator.  When I stopped work to have my son I started writing again.  And the first two novels I ever finished were taken on by a small independent publisher.  The first, Just Before Dawn, though a little unconventional, followed most of the tropes of the category romance.  But with the second I let my hair down and wrote the novel of my heart. It was still a love story, but it was a story which subverted the ‘romance’ stereotypes.
Even now, I cannot follow any kind of formula in my writing.  Love may still be the engine of the plot, not that my characters are necessarily aware of it, but I try to write honestly, refusing to romanticize the downsides and the pitfalls in modern relationships.

 TORN - Jessica Avery is a woman in her early thirties with a three year old son, Rory.  She has made a series of wrong choices in her life – job, men and life-style.  Her job came to a disastrous conclusion.  The men in her life have let her down and her life-style involved too many pills, parties and promiscuity. But she believes that by quitting her old relationship and moving from London to the country, she has escaped all that.  Her choice now is to live a steady, responsible life in a tranquil new environment, putting her son’s needs and her role as mother as her number one priority.
But she finds country life less serene and bucolic than she expected. Her ex-partner tracks her down and assaults her as she leaves a local pub.  Luckily, a witness steps in and helps to defuse the situation, but she is left badly shaken.  As an in-comer – and even worse, an ex-investment banker – Jessica is not made very welcome by the local mothers.  Then there is the management of the rural landscape – the interests of commerce versus the preservation of the environment, which begins to engage her interest and concern. The narrative is played out against the low key background story of a proposed by-pass to the local town. Initially Jessica favours a new road until she realises the route it might take, tearing through the landscape she’s come to love.  She is torn between the pragmatic and the romantic decision. The friends Jess makes represent the differing positions. There is Danny Bowman, the counter-culture shepherd; his employer, James Warwick, affluent widowed farmer and father to three year old daughter, Sasha; Gilda Warwick, James’s match-making mother; and Sheila, the feminist nursery school owner.
The title ‘Torn’ can also be understood as referring to the personal choices which confront Jessica.  Despite vowing she wants no emotional entanglements in her life, she is attracted to two very different men.  She finds, to her cost, that in the face of temptation it is not so easy to throw off old habits and responses.  She is a woman who claims she has never been in love. Eventually she is prompted to re-evaluate this stance and to admit to herself, that beyond an undeniable physical attraction, she has indeed fallen in love, but with which one – the suitable man or the unsuitable boy?
Even by choosing neither she will still be making a choice.

TORN - by Gilli Allan
Buy: Amazon UK, Amazon US

Excerpt: New Year's Morning

          Jess opened her eyes. It was pitch black outside the window; inside, the room was divided vertically and horizontally by dark slabs of shadow. Only a pinpoint of amber light, flickering now and again, beamed from her laptop. Though her brain was clear, her head was banging and her mouth felt furry and tasted sour.
Drunk’s dawn, she thought.  Brilliant. Have I had more than an hour’s sleep? At least she was alone. The man had crept away while she slept, thank God. Then she heard his breathing, with its characteristic asthmatic wheeze, and the dip of the mattress as he stirred.  She froze, revolted by the idea that her skin might come into contact with his. The idea of touching a bony, hairy male leg – or worse – was repellent.  And if he was rousing she didn’t want him to realise she was awake.  He turned over then turned back again.  The wheeze had developed into a definite whistle.  Jess sensed he’d woken and was probably lying there wondering what to do.  If she was any kind of decent human being she would tell him she was awake and go and fetch one of Rory’s inhalers for him.  But she stayed rigidly still and tried to control her breathing.
She could come up with all sorts of rationalisations for her ungenerous behaviour. She was naked and didn’t know if her dressing gown was close at hand. He’d be embarrassed if he thought he’d woken her. He might even be ashamed of his frailty, not that admitting he was asthmatic had seemed to bother him earlier, but still, he might not want to make a big deal of it in the early hours of the morning. More importantly, she was embarrassed.  It was a long time since she’d done anything so bloody stupid and had lost some of the bravado necessary to face the stranger in the morning. Especially after you’ve thrown your guts up down the loo a few hours earlier, she thought. Had he fancied her sufficiently, after she’d vomited, to proceed with what he must have believed, rightly, was on offer before? And if they’d had sex did he use a condom?
The head of the bed was positioned under the flight of stairs that led up to the attic room. As Danny got up he cracked his head on the slanting ceiling. He swore quietly then padded across the room, managing to stumble over something – probably the toy basket – on the way to the bathroom. As he pulled the door closed behind him and she heard the light click on she let out her breath. Good.  She couldn’t remember much about Danny but at least he must have a modicum of sense. Even if he were still half asleep the spare inhalers would be easy to spot in the cabinet. As she had the thought she heard the clatter as something fell into the hand basin below the wall mounted cupboard.
So, he must be thoroughly awake by now.  Perhaps he would use the inhaler then decide to get dressed and let himself out of the house. She need never confront him face to face again.  Though she could recall thinking he was good looking, that was last night, and under the influence of alcohol; should they meet again, at some future time, would they even recognise each other?  But Danny padded back to bed and slid carefully in under the duvet, evidently making an effort not to disturb her.  What a cow I am, Jess thought.
  When she opened her eyes again it was bright day.  If wearing nothing else, she still had on a watch; it was nearly ten.  It would be tempting to close her eyes again and lose herself in sleep, but she knew it would resolve nothing. If the man in her bed had any sense of shame, he would have removed himself before now. But he was still there; even if not touching she could feel the radiant heat of another body.  Nothing for it then.  She would have to face him – and the situation – now or later. Better get it over with.  Slowly and cautiously Jess began to turn.  She didn’t want to disturb him before she’d had a good look. Cautiously she pushed herself up on her elbow.
He slept like Rory often did. Arms flung back on the pillow, hands limp and relaxed. His face was turned away, against his shoulder, but she could see his profile; the tousled ashy hair, the straight nose, the fan of long eyelashes, the concave plane beneath the cheekbone heavily stubbled with soft blonde whiskers – almost, but not quite a beard.  The beaded chokers were still around his throat, the beads dragging to one side, caught in the crease between neck and collar-bone.  A part of his smooth chest was exposed, the nipple dark and small against the creamy, fine grained skin. Jessica found herself mentally mapping each detail; the pull of the deltoid against the bicep, the perfect rounded form of his shoulder. When he turned his head she could study his mouth, the mouth she had kissed over and over again; she was now perfectly able to recall that part of the evening.  What struck her more forcibly than his beauty, was his youth. Jess had realised he was younger than her, but now she wondered by how much. Tentatively she touched his upper arm; the skin felt silky and cool.
His eyes opened – clear, blue-grey, the iris ringed with indigo. She saw the sudden widening of the pupil but by no other gesture did he display surprise at finding himself under scrutiny.  He stretched and smiled and withdrew his arms from their up-flung position.
            ‘Hallo Jess.............’ 

http://gilliallan.blogspot.com/