Mary Robinson would never have been seen out looking anything but at her most elegant, although her style, at least in her early years, was less flamboyant than most. On her first visit to Ranelagh she wore a simple Quaker gown which ensured that she stood out. It was of light brown lustring with close round cuffs. She left her auburn curls unpowdered, upon which she pinned a plain round cap and white chip hat, without any ornament.
Later, when she became famous as mistress to the Prince of Wales, she set tongues wagging by entertaining lavishly, and sending female hearts beating with envy. Every new gown she wore, the very latest Paris had to offer, was imitated and emulated to the smallest degree. And ever the actress, she loved to drive about Hyde Park in her new blue and silver phaeton, drawn by milk-white ponies, playing to the crowds. Sometimes she would be very simply attired wearing a straw hat tied at the back of her head in the style of a paysanne, at others painted, powdered, patched and rouged to perfection as any fashionable leader of the ton should be.
A courtesan, demi-rep, or member of the Cyprian corps, as they were sometimes known, was expected to dress at the height of fashion, own at least two carriages, and live in the most fashionable part of town. In the eighteenth century they were rather looked upon as celebrities. But this hedonistic lifestyle required high finance, supplied by a man of considerable wealth in return for her exclusive attention.
Unfortunately, Mary Robinson never did succeed in finding a man rich enough to afford her, and as a consequence of her love of spending she quickly fell into debt. Not that her concerns over lack of money ever taught her prudence. She considered her high living standards as necessary for her status. The £5,000 that she managed to squeeze out of the young Prince George after their brief affair ended, helped a little. She believed this allowance to be well deserved as she had given up her career on the stage for him. And, of course, credit was easily available in anticipation of more from the Prince once he came of age.
Money sometimes came her way if her husband had a win at cards at Brooks’s. And famous artists such as Hoppner, Sir Joshua Reynolds and George Romney would paint portraits of her without charging a fee as they could sell print copies to the masses because of her beauty and status as a fashion icon.
But a new love came into her life and Mary and Tarleton were very much the celebrity couple. Banistre Tarleton, a hero of the American War of Independence, with his famously cropped hair, looked exceedingly handsome in his hussar uniform of blue jacket, waistcoat and leather boots that fitted as tight as silk stockings. Mary was proclaimed as a fashion icon by Lady’s Magazine, who even named a hat after her. ‘The Perdita’, as it became known, was a chip hat with a bow tied under the chin and pink ribbons puffed around the crown. It proved to be immensely popular.
On her return from France in January 1782, Mary wore one of her Paris gowns of white satin with purple breast-bows for the opera. Her head-dress was a cap composed of white and purple feathers entwined with flowers and festooned with diamond pins. According to the Herald she looked supremely beautiful, so lovely that the audience lingered to watch as she stayed to select a box to rent following the performance. Later, her decoration of the box caused a flurry of gossip in the newssheets as she upholstered the chairs in pink satin, and lined the walls with mirrors.
Mary became famous for her gold clocked stockings and a cataract muff. This was also French with long-hairs that hung down like a waterfall. And then there were her gold-clocked stockings for which she was dubbed ‘Lark-heeled Perdita’. She caused a sensation by wearing the Chemise de la Reine to the opera. This was a simple muslin gown adapted from that worn by Marie-Antoinette. It had three-quarter length puffed sleeves and frills around the neck. Falling simply and gracefully it clung deliciously to the figure without hindrance of hoops or pads. It soon became all the rage among aristocratic ladies, not just with the Cyprian Corps, including Georgiana, Duchess of Devonshire. It did, however, result in some criticism from the press, as it made it much more difficult to judge a lady’s status by her appearance.
Despite the fact that Mary considered herself to be intellectually superior to most courtesans, and infinitely more sensitive, she was considered to be very much the leader of the Cyprian corps. But no one, not courtesan nor aristocrat could rival her beauty or style. Her life might have been considered utterly scandalous, but in her prime she remained very much the centre of attention.
A beautiful and talented actress, poet and fashion icon, Mary Robinson was one of the most famous women of her time. But Mary was destined always to be betrayed by the men she loved: by her father, a prosperous Bristol merchant who abandoned his family for a life of adventure – and another woman; by her husband, a weak and foolish man who bankrupted the family with his inveterate gambling and humiliated his young wife with his numerous affairs; and by the Prince of Wales, later King George IV. Mary gave up everything for her prince – her career, her husband and her independence – only to be cruelly abandoned when his affections turned elsewhere. And then she met the love of her life. Could she hope this time it would be different?
Against the turbulent background of the American War of Independence and the French Revolution, this is the enthralling story of a remarkable woman: a tale of ambition, passion, scandal and heartbreak.
Published by Severn House
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